LEARN TO SPEAK EMIRATI by Dubomedy: Level 1 for Beginners
Wednesday, August 22, 2012
Dubomedy Arts School - Fall Term begins Sat, Sept 29
LEARN TO SPEAK EMIRATI by Dubomedy: Level 1 for Beginners
Saturday, April 7, 2012
Whose joke is it anyway? by Mina Liccione
I have often heard comedians narrate instances of having written and performed a fantastic joke only to find out that another comedian got there first. Many comedians have told me that they had written the joke without EVER seeing the other comedian perform it before, and yet the joke was almost identical!
Irwin Handleman, a TV comedy writer, gives an example:
"A few weeks ago, after President Obama showed his birth certificate to Donald Trump and the other racists, The Onion's headline was: "Afterbirthers Demand To See Obama's Placenta."
A fine joke. But then Bill Maher went on twitter and wrote: "I see The Onion stole my placenta joke that I did in Feb 2010 HBO special"
Wow. Okay. I've never heard of The Onion being accused of stealing in the past. It also seemed a bit presumptuous that everyone has seen that HBO special.
Well, it turns out that The Onion headline was actually a link to something they wrote in August of 2009. Apparently The Onion recycles its content when news stories pop again. They actually did the joke 6 months before Bill did!
Does this mean that Bill stole from The Onion? Of course not. Just like it was dumb to think they stole from him. It happens all the time. In fact, just to show how ridiculous the whole thing is, The Daily Show ended up doing the exact same joke."
It is evident that these things do happen. As the old phrase says “great minds think alike”. And, I feel, comic minds observe alike. However, it is impossible to fully understand this until it’s happened to you!
About three years back I wrote material about being an American living in Dubai. I wrote a series of jokes about my ignorance of the Middle East and my attempts at trying to learn to speak and sing in Arabic. One evening, after going to an Arabic restaurant and seeing a bunch of people dancing to the drums with their hands in the air I thought it would be great to do a bit on Arabic dance. There are a lot of traditional Arabic dance moves but the most common one is where your hand is in the air and it looks like you are screwing on a light bulb. I went home that night to think of what the other dance moves looked like and it hit me - the foot turns as if they are putting out a cigarette! I then thought it would be fun to have the audience lift their right arm and screw in a light bulb then stamp their right foot, put out a cigarette and on the count of three shout “habibi”! I put all the pieces together, added a beatbox rhythm and created a ‘habibi song’ and the whole audience did a group dance. The crowd loved it, I loved it and I performed it many times since.
Last week, I was hosting a show and performed the Arabic dance bit to introduce famed comedian and friend, Aron Kader of The Axis of Evil. After the show Aron told me that one of his fans mentioned that my joke was similar to his Arabic dance joke. I quickly realized that the observation of screwing in a light bulb and putting out a cigarette was identical to his! I was stunned because I genuinely remembered the night I came up with it! I had also heard of instances where people will write a joke that they heard someone say a long time ago and subconsciously think they came up with it. But in this instance, that wasn’t the case in point as I had never seen Aron perform it before. I instantly discussed this matter with Aron openly and honestly. He knew I was being sincere and ended our chat with a quip in true Aron style “no foul, no harm.”
I was very grateful that we were able to discuss the situation immediately and quickly reach an amicable conclusion. Without scope for heresy or lingering doubt. Out of respect for him and myself, now that I know he also had this joke I very happily put it to rest and will not perform it again. And that is crux of being true and honest to your art, and a fellow artist.
I’ll elaborate further on this. You see, the subject of tribute jokes and stolen jokes comes up quite often, especially as I am a comedy teacher. As part of our 8 week Stand Up Comedy 101 program we focus on writing, improvisation and performance skills. We don’t allow our students to use “borrowed” material from other comedians or internet jokes. We talk about the structure of a joke, poke fun at truthful life experiences as well as give them weekly writing assignments. By the time they reach the end of the 8 weeks they have generated a great deal of material to choose from. We give them the building blocks in a fun and supportive environment and it has been a huge success. Blatant joke stealing is something we openly discuss and don’t condone it with our students, don’t book comedians who do so on shows we produce, and as comedians ourselves, we aren’t hacks. We practice what we preach so when it came to my attention that my Arabic dance bit was dangerously close to Aron’s joke I literally gasped, as I didn’t want it to appear that I was going against my ethics.
I attended a show where a comedian performed a Gabriel Inglesias joke word for word followed by two Internet jokes and a quote from Austin Powers. I then saw the same comedian perform it again and I spotted more jokes from other comedians and the internet. Clearly, that wasn’t accidental. There was also a recent incident at a local monthly amateur comedy night in Dubai where a first timer took the stage and did a word for word set by a famous British Comedian. As soon as the producer learned the news he addressed it and the community discussed the topic of copying jokes openly online. It ended up being a positive debate and the community had the chance to communicate their thoughts on ethics as to prevent it from happening again.
Comedians will always talk about the same topics because we live in the same world and observe it through comedic lenses. Whether it be talking about relationships, politics, current events, living in a particular city or stereotypes. As a comedy teacher and coach I have had hundreds and hundreds of students come through our program and some of them, who have never met, wrote very similar jokes. Even as we do improvisations and in-class writing exercises, people do come up with similar replies, punch lines and jokes. It happens. However, with that said, there is a huge difference between coming up with the same joke as someone else and watching a video of famous comedians, transcribing their jokes and performing them. THAT isn’t a coincidence, it’s theft.
Delving a little into the history of stand-up comedy, heading back to the Vaudeville Era, many comedians would share jokes, perform similar if not the same jokes and it didn’t really matter. They performed one-liners and moved from city to city so they rarely crossed paths. This was long before television so comedians could perform the same jokes for years. As time progressed people got tired of hearing the same hacked mother-in-law jokes and wanted something substantial. Once comedy started becoming televised they knew that when their jokes aired they would probably be repeated. Similarly, in today’s internet age, comedians have to write new jokes at a much quicker pace.
Kal Raustiala, a Professor at UCLA Law School, made this statement in his essay ‘The Evolving Ethics of Joke Stealing’:
“But as television and the web consumed material faster and faster, and comedians found themselves in direct competition on YouTube and Comedy Central, stealing original material came to be regarded as unethical, for the same reason any conduct becomes unethical: it does more harm than good. Gradually, comics also learned that allowing all jokes to be considered common property worked as a disincentive to creativity. Nobody was laughing at the old jokes any more, and there needed to be a benefit realized by the comics who wrote new ones.”
So where do we go from here? It seems like the temptation to steal jokes has been around for a long time and many will continue to do so. If you are a budding comedian who wishes to turn professional and wants to perform on television and move forward, the best piece of advice is to keep writing! Even if it doesn’t seem funny at the beginning it’s better to perform jokes in progress that are yours rather than performing stolen jokes. If you still feel you just can’t write jokes but enjoy the performance side you may want to try comedy acting as a script is provided. I’ve seen many comedians decide to go into acting and have been quite successful and happy.
Any great comedian will tell you that it took them about 10 years to really find their comedic voice. If you don’t write your own material and choose to steal jokes you won’t get to that point. Comedy, whether it be writing or performing, is like any other craft. The more you practice, the better you will get. Cheating will just keep you at the same place.
The joke, ultimately, will be on you!
Tuesday, February 28, 2012
Wednesday, February 8, 2012
Stand Up Showdown- UAE's first regular comedy contest

'Stand Up Showdown' is the UAE's first regular comedy contest! 10 comedians, 4 judges, 2 cowboy time-keepers, 1 referee, some cheerleaders and a whole lotta mayhem! Come join us for a night of great laughs! Oh, and yes, it's FREE admission! When: Friday, Feb 17 Time: 8:00pm Where: Wild Peeta at Trade center (right in front of the Metro station) More info and reservations: LOL@vivadubai.com How much: Free admission |
Sunday, November 13, 2011
2nd Annual Dubomedy International Performing Arts Festival

Dubomedy set to hold 2nd annual performing arts festival in the UAE
“One stage, One community.”
Over the course of four days, Wednesday, November 30th – Saturday, December 3th, Dubomedy and VIVA Arts will be throwing the country’s second annual Performing Arts Festival. Through this festival, envisioned as an interdisciplinary platform for performing artists, Dubomedy Arts aims to provide opportunities for both amateurs and professionals to hone their craft through workshops and panels during the morning while performing original content for a local audience in the matinee and evening shows. This year’s festival has already picked up from its launch last year and will be a host of 12 shows that will feature over 200 performers and will attract an audience of 10,000.
“Nurturing the arts community in Dubai is a cause that is very close to my heart,” says Mina Liccione, artistic director of VIVA Arts and head teacher of Dubomedy Arts School. “Ali, the co-founder of Dubomedy Arts School, and I put together this festival to celebrate, educate and bring the community together for four days of the best this region has to offer in performance art. We look forward to watching this festival grow, diversify and best represent the wonderful blend of cultures and artistic voices the region holds. “
The festival will be off to a rousing start with a night of comedy and dance. The students of Dubomedy Arts School’s NYC tap and body percussion will take to the stage alongside Siobhan’s Irish Dancers and the Comedy 101 and Advanced Stand Up students to form an entertaining performance known as “Mix Tape: Stand Up & Dance!”. Following the Dubomedy Arts School Showcase will be a performance by the UAE’s first and only improvisational comedy troupe, Improv Revolution!
Day 2 of the festival is entitled “Local Theater and Performance Art Night”. The evening will showcase the many artistic genres of diverse local groups and solo artists. The Local Theater portion will include seasoned performers of the Dubai Drama Group and the dramatic chops of teens and young adults in the Youth Theatre Works.
The performance art portion will feature Dubomedy’s ‘From the Page to the Stage’ writers, members of The Poeticians, an intermedia spoken word performance by American poet, Nicholas Karavatos, as well as a special performance by Hind Shoufani. Closing out the performance art journey will be “Mehfil-e-Shama”, a series of Urdu, Hindustani and Sufiana performances headed by Jamal Iqbal and featuring Ayeda Nakvi amongst others.
Only the night does not end there! An Arabic stand-up comedy show entitled “Comedia 3al Wagef” will be held on The Burj Steps which is an innovative amphitheatre style venue that sweeps down from Burj Khalifa opening to majestic views of The Dubai Fountain. Ideal for concerts, corporate and lifestyle events, The Burj Steps embody opulence and elegance with an awe inspiring back drop of Burj Khalifa. This show will be hosted by Ali Al Sayed, will feature an array of Arab comedians from the region and will be headlined by internationally acclaimed comedian from Egypt, Mohamed Salem.
Day 3 of the festival has a very special treat for all, not only is it the UAE’s 40th National Day, but it also presents a unique artistic experience for the residents of Dubai. The day will begin with a special matinee performance of Experimental Theater! Two local experimental troupes have come together to form a double header of visual delight and storytelling to create an “out of the box” conceptual experience. Resuscitation Theater, Abu Dhabi’s first professional theater troupe directed by Maggie Hannan will present a fresh interpretation of T.S. Elliot’s classic play “The Cocktail Party” as the dreamy Star Too Troupe, directed by Sol Abiad, will present an original piece entitled ‘Who Did it?”.
Later that evening Hollywood legend Michael Winslow, most famous for his role as Sgt. Motor-mouth Jones on Police Academy, will be presenting his first and exclusive comedy performance in Dubai! Winslow is referred to as the man of 10,000 voices and performed to sold out crowds at this year’s Edinburgh Fringe Festival and has been both seen and heard in hundreds of movies.
Day 4 is the final and most active day at the festival as it presents workshops, panel discussions, poetry readings in English and Arabic with special guest Iranian-American poet Bahareh Amidi, respected poet Ali Matar Al Mazrouei of RAK TV and renown Arab poet Mohammed Al Mulla whose poetry has been the lyrics of over 14 famous songs that were produced in cooperation with great Artists such as Mohammad Abdo, Rashid Al Majid, Nawal, George Wasoof and may other well known artists. The final festival day will also include a charity event for children with special needs and a music concert on The Burj Steps featuring some of the UAE’s best talent to close this festival. Headlining this year’s concert will be soul singing sensation Hamdan Al Abri.
“Arts festivals tend to open both audience and artists’ minds to the possibilities of art. The sheer diversity of talent represented here is sure to amaze our audience for years to come. We are providing a platform for these artists to start a dialogue with their audience and to take the first steps towards shaping an industry for local artists” says producer Ali Al Sayed.
The Dubomedy Arts School has been offering courses in comedy, body percussion and tap dance since 2008. The tri-yearly semesters end in student performances, often the first time many of the performers have been on stage. This year, these performances will be incorporated into the much larger umbrella of the Dubomedy International Performing Arts Festival and through this, hopes to reach a larger audience. For more information and the full Festival schedule please visit www.dipaf.com or call 04 374 6789.





